Title:
The Aesthetics Of Causality: A Descriptive Account Into Ecological Performativity

Simple item page
dc.contributor.author Connors, Teresa Marie
dc.contributor.corporatename International Community for Auditory Display
dc.date.accessioned 2017-03-29T13:07:54Z
dc.date.available 2017-03-29T13:07:54Z
dc.date.issued 2016-07
dc.description Presented at the 22nd International Conference on Auditory Display (ICAD-2016)
dc.description Presented at the 22nd International Conference on Auditory Display (ICAD-2016) July 2-8, 2016, in Canberra, Australia
dc.description.abstract In this paper, I offer a perspective into a creative research practice I have come to term as Ecological Performativity. This practice has evolved from a number of non-linear audiovisual installations that are intrinsically linked to geographical and everyday phenomena. The project is situated in ecological discourse that seeks to explore conditions and methods of co-creative processes derived from an intensive data-gathering procedure and immersion within the respective environments. Through research the techniques explored include computer vision, data sonification, live convolution and improvisation as a means to engage the agency of material and thus construct non-linear audiovisual installations. To contextualize this research, I have recently reoriented my practice within recent critical, theoretical, and philosophical discourses emerging in the humanities, sciences and social sciences generally referred to as 'the nonhuman turn'. These trends currently provide a reassessment of the assumptions that have defined our understanding of the geo-conjunctures that make up life on earth and, as such, challenge the long-standing narrative of human exceptionalism. It is out of this reorientation that the practice of Ecological Performativity has evolved.
dc.identifier.citation Connors, Teresa Marie "The Aesthetics Of Causality: A Descriptive Account Into Ecological Performativity". Presented at the 22nd International Conference on Auditory Display (ICAD2016), July 3-7, 2016, Australian National University, Canberra. DOI: http:
dc.identifier.doi 10.21785/icad2016.017
dc.identifier.uri http://hdl.handle.net/1853/56566
dc.publisher Georgia Institute of Technology
dc.publisher.original International Community on Auditory Display
dc.publisher.original International Community for Auditory Display (ICAD)
dc.relation.ispartof http://hdl.handle.net/1853/56560
dc.relation.ispartofseries International Conference on Auditory Display (ICAD)
dc.rights This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
dc.rights.uri http://creativecommons.org/licenses/by-nc/4.0/
dc.subject Auditory display
dc.subject Ecological Performativity
dc.subject
dc.title The Aesthetics Of Causality: A Descriptive Account Into Ecological Performativity
dc.type Text
dc.type.genre Proceedings
dspace.entity.type Publication
local.contributor.corporatename Sonification Lab
local.relation.ispartofseries International Conference on Auditory Display (ICAD)
relation.isOrgUnitOfPublication 2727c3e6-abb7-4df0-877f-9f218987b22a
relation.isSeriesOfPublication 6cb90d00-3311-4767-954d-415c9341a358
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
ICAD2016_paper_17.pdf
Size:
10.28 MB
Format:
Adobe Portable Document Format
Description:
Download
Collections
Scholarly Events