It is very close. Thank you. I'm not sure probably done and I'm very well thank you. Leslie. I guess I'm here because I've been at Georgia Tech for about one third of the centennial years themselves so. About four and a half years ago I was completing. My book on Bernard may back at another college Principia college and Centennials were very much on my mind the joke was that it took almost a centennial to write that book. It was almost that bad because it started as a dissertation in one nine hundred seventy three at Cornell and took thirty one years to appear as a as a book I had missed the centennial at Principia school which it had been established initially and eight hundred ninety eight the college portion of the institution dating from the one nine hundred twenty S. It's true that the one nine hundred ninety eight centennial of Principia prompted me to take them a back material off the shelf and dust it off and put it into shape for publication in book form and that I found such a sympathetic publisher is one of the joys of my life. Several years ago I was also thinking about other Centennials I was president of the nineteenth century Studies Association an interdisciplinary academic society which interesting we enough was founded here in Atlanta. Some twenty five years earlier and considering a venue for the twenty fifth Annual Meeting of the nineteenth century Studies Association. And I was thinking generally about anniversaries the year was two thousand and four I had already missed the centennial of the death of William Morris who had died in eight hundred ninety six or John Ruskin who had died in one thousand nine hundred in two thousand and one and I reminded the society that both Queen Victoria and Verity died in two thousand nine hundred run so for the two thousand and one centennial of the society the thematic conference had a disproportionate number of papers on opera and on nineteenth century music and a few studies of the old queen herself but for two thousand and four it became my excuse to bring the nineteenth century group to my hometown of St Louis. Because as one considers Centennials two thousand and four was the centennial of the night to know for Olympics held in St Louis and the nineteen zero four St Louis World's Fair. The latter indeed of course was celebrating its own centennial because the World's Fair was in St Louis in one thousand four in order to celebrate the centennial of the Louisiana Purchase and the Lewis and Clark expedition. So it seemed to me there was much to learn when digging around history at Centennial time. We had as an example in St Louis a special session in a St Louis church the church had dated from one thousand four and to do the right of the congregation we helped organize a centennial concert whose program. Repeated the musical program which had been performed one hundred years earlier when the church organ was first dedicated in early two thousand nine hundred five in researching that dedicates Roy organ concert we discovered that the organist who performed it in one thousand zero five was a young protege who currently had been serving as the organist in the Music Festival Hall of the St Louis World's Fair and for that Derek a totally true. Concert in one thousand and five they were going to head selected some music written by his nineteenth century music teacher a man who wrote that piece in order to dedicate another organ his own organ because he was the organist at Notre Dame Cathedral in Paris and so the extraordinary historical trade on ferreted were the result that our academic society meeting in St Louis in two thousand and four to celebrate several anniversaries experience the memorable evening in a noteworthy venue of architecture and music. So Centennials I think are wonderful events. It's too bad they only happen every hundred years. So back in two thousand and four I started mentioning to Alan Dunham Jones and to Tom Galloway that two thousand and eight was the centennial of architecture at Georgia Tech. And I had a number of projects were underway for which the timing seemed right to think of them to some degree as Centennial projects. The first was a blip then nearing completion which was already rival in the middle back study which took thirty one years to complete this new book was on Francis Palmer Smith and conversations about this with Henry Howard Smith Francis a son I had an issue did way back in the early one nine hundred ninety S.. That book was finished in two thousand and seven. Although various events have conspired to delay its publication including the current economic crisis. Although University of press. Scuse me University of Georgia personnel tells me that copy editing in the schedule in for March so who knows what we're sort of aiming for two thousand and nine. Now either status of Georgia Tech campus architecture the work of sculpture Julian hope terrorists and the architectural work of Bush Brown. Gailey and Heffernan had produced conference papers and a few articles but seemed also to have missed the centennial in the case of Heffernan there's additional motivation to finish the study. Since this year two thousand and nine is the centennial of Heffernan is birth. So despite several Centennial projects nearing completion my colleagues appear to have done a better job of producing the centennial projects on time than I have actually appearing during the centennial year. Most notable Elizabeth Dowling who is here who's excellent exhibit on one hundred years of the work of the school is appearing throughout the academic year. Also remarkable is the centennial rapture series which Ellen Dunham Jones initiated and which has brought to our auditorium some of the most interesting presentations in recent years by a ray of notable a lot I presented evidence of a remarkable architectural leadership and design work that's emerged from this school. So what might I add to this in a venue such as this Thursday lecture series and particularly during this centennial year. Well in February. Betty and George Johnson and alabaster and I will present some brief summaries of the changes in the architecture curriculum in the architectural scene through the one hundred year period of the centennial history without one in particular looking at the future of architecture in the future of architectural studies here. As a scholar who had researched aspects of Francis Smith's work of Pat Heffernan to work and Atlanta architecture in general. I began to focus on the single question of what Atlanta was like architecturally in one thousand zero eight when this began. Could I paint a picture ever so briefly of the architectural scene one hundred years ago when students first introduced the idea of a stablish in architectural studies here and began in one thousand No wait the architectural program whose Centennial we now celebrate and I must thank Brian Barron for initiating this specific question which was a. Rest in the inaugural meeting of the southeast chapter of the construction history society which convened here last fall. And I wondered if you rise how many academic societies with scholarly interest in the arts and humanities have been founded here at Georgia Tech. In addition to Brian's group the nineteenth century Studies Association was founded here almost thirty years ago. Similarly the southeast American Society for eighteenth century studies both emerging from the English department but with participation over the years of architecture faculty. I am founded in this very briefly in room two fifty eight some twenty seven years ago the southeast chapter of the society of architecture the story ends. This latter scholarly organization is among the notable accomplishments of the past one hundred years of our program as well. Well how did it begin. And we transport ourselves back tonight to No eight and envision the world one hundred years ago when architectural study first began on this campus. Now given my former life as in a story and not an architectural historian I'm compelled to set aside for the moment the architectural history of these years and first ask about the broader cultural and historical climate of nineteen wait. And one thousand nine a few events of those years might help define the era. It was an era called progressive in part marking the end of the Edwardian age La Belle a paddock signalled by the death in one thousand ten of Edward the Seventh. It was an age of so-called muckrakers Upton Sinclair's not of the jungle appeared in one thousand No six and is said to have influenced the passing of the Pure Food and Drug Act about which we may all be grateful if you recall those passages in the jungle describing the meat packing plant and the making of lard and sausages. Where you Howard Taft was elected the twenty seventh president of the United. States in one thousand zero eight and James Chandler Harris died the same year. Harris is Uncle Remus stories are renowned in his queen and style house in west then called Rand's nest still survives here in Atlanta. Several historical first occurred during this period and to keep this from sounding like David Letterman's top ten a list I'll just mention eight. January first one thousand KNOW RIGHT. Was the first time a bad dropped on Time Square to welcome the new year. Secondly the first Model T. rattled off the assembly line in one thousand await and sold for eight hundred fifty dollars. It was available in any color you want as long as it's blocked. Throughly the first Mother's Day was established in Philadelphia May tenth one thousand no wait. For the Christian Science Monitor an international daily newspaper that story published today printed its first issue in Bastien in November of ninety No eight just two months ago it celebrated its centennial body clearing it wouldn't print anymore. Like most newspapers it's going on the web. Five The N.W. C.P.E. was founded in one thousand eight by W.E.B. Dubois six should go. The Chicago Cubs won the World Series for the first time and the last time. Seven About this time the first scouts were founded by Baden-Powell in one thousand or seven and three years later the Boy Scouts of America a stablished by William D. Boyce in one nine hundred ten. And eight. If one can be slightly political The first man from Texas became president and he was born in one thousand nine hundred eight Lyndon Baines Johnson. Well what about Atlanta in one thousand no wait. The city that year was only seventy one years old. It was founded in eight hundred thirty seven with a name terminus and even that fact about the short life should be temp. By reminding ourselves that when the city was twenty seven years old. It was burned to the ground by General Sherman. I've mentioned before when presenting this to the construction history society that it's incumbent on anybody who gives a lecture on. Land A to mention Sherman. Here is view of that firing up of the railroad station and a view of Alabama street down there underground and eight hundred sixty four with federal troops in the streets. And this burn out if you have a section of Peachtree Street in eight hundred sixty five looking north from the railroad tracks by the way out. You know some people have asked why I'm from St Louis. But you know does that make me a Southerner since you know Missouri sort of a border state. You know nobody who's actually born not born and raised in Atlanta can be considered a native born Atlanta. But I'll let you guess whether I'm a Southerner not my mother's name was Virginia her middle name was Lee and she named me Robert. So well right after I was found in an eight hundred thirty seven as a railroad town called Terminus makes it nowhere near as old as Bastien but about the same age as Chicago and I suspect in one thousand a week the southern city had a little routes to compare with either one of those other cities on the other hand to my mind Atlanta significant contributions to the built environment during this period is what makes it almost certainly worthwhile. Putting up with city government in Atlanta and that is this extraordinary handling of landscape inner city neighborhoods and the like the early suburbs. This is the kind of thing that Doug Allen knows so much about here. Georgia Tech. But in the spirit of the centennial theme. I would remind you that in one thousand and nine she cargo was preparing to publish its famous Brown and plan of Chicago a monumental but it was out scheme and a Burnham Centennial is being celebrated in two thousand and nine in Chicago. Go Make no little plans but I'm sad and sorry for the smack town of Atlanta. There was a kind of Plaza planned by Harrelson Beckley proposed in one thousand nine a scheme never brought except for the Via docks over the railroad Gulch which was erected. But however young Atlanta might be the Atlanta was trying to make its place in the world and so before we look at architecture we might consider other aspects of art and culture. During this time. Nineteen zero five the Atlanta Association was for armed later to become behind Museum of rot. But the city had to wait until one thousand nine hundred thirty five for the establishment of the Atlanta Symphony Orchestra. Asked for opera. And as was the case with architectural see Atlanta initially imported its culture in that way during the period there were sponsored opera performances. During this time that he gave opera house dates from eight hundred ninety three. And when the city's huge civic auditorium an armory opened in one thousand and nine about the time our program started. If only it it brought to the city President Taft to dedicate a billion or so set up to performances by on RICO Caruso sponsored by the Atlanta Music Festival and that began nowhere the tradition imploded after in Atlanta. In one thousand and when the Metropolitan Opera Company of New York began a seventy five year history of annual spring performances in Atlanta known as opera week which was still taking place in May of every year when I came to Georgia Tech in one nine hundred seventy S.. The annual hosting of the Mets ceased in one thousand nine hundred eighty six. But by then the Atlanta application he was performing has its own season of opera in a new venue now in Cobb center. Well brought my perspective on one thousand eight even one. Writer and look at new developments in art and science. Let me skip over that I we can sense. I will very much in change. We should note that on the spine Special Theory of Relativity was articulated in one thousand zero five and in one thousand eight hundred quantum theory of light that Pablo Picasso's work of cubism Les De Mars are driving your dates from this very moment one thousand No seven is no accidental coincidence. And as much as issues of simultaneity and relativity and form both science and cubism in music. One could first hear my other symphony of a thousand which emerged in one thousand await Stravinsky's Firebird written in one thousand ten. Frank Lloyd Wright's masterful write about how states from this period in Chicago. I was a task students it would take until the one nine hundred sixty S. and John Perkins development of the atrium hotel for Atlanta to gain a national reputation for an architectural development that has given birth here in NY to know really Americans were starting to go to the movies the Great Train Robbery is being shown in five cent cinemas and there were thirteen new movie theaters in the city and if it ran I can't claim to be Hollywood we can at least bring the archive here which is what Ted Turner did when he brought M.G.M. and various other things and started Turner Classic Movies on cable. We're up background for night you know a snippets of history from one hundred years ago. It helps to put I think the Georgia Tech centennial in something of a context. If we turn to the city in one thousand await architecturally and look at the number of architects there were about a dozen men two women who were lists themselves in the city directory as architects in one thousand await one thousand and nine there were of course no schools of architecture. There were a few around the. Contrie not very many but not much going on in that formal way some of the architectural work such as the work of. The Downing building Friday of building types. He had developed a reputation by the end of the nineteenth century for designing finer homes in a number of his examples still surviving in midtown. Run thing one can observe about this first group of architects in the town is this they're not home grown on the heart of the southeast imploded it's architects in eight hundred eighty for instance Atlanta tracked it got fried Norman a native of Sweden who was the architect of the Edward Peters house in midtown recently restored by scale ad and he was asked to design or such landmark buildings as the Hebrew orphanage of eight hundred eighty eight which was torn down to right about the time I came to Atlanta in the early one nine hundred seventy S. but survived by Norman is the Inman Park School. And the Paramount House Apartments. Pamela House is able to represent the architecture in the city at the very moment that the program here starts it's a work of Jacobean Revival style on Peachtree just off Peachtree near tenth Street. Another friend Brown architect who works for time in Atlanta was Edmund Lon Lind who Central Presbyterian church downtown still stands right across the street from the Capitol. Linda had practiced in bad company for twenty five years before building this Presbyterian Church in this new up and coming city of the new south but neither rich nor Norman seemed to like the place when returned a bad man after about ten years and Norman raft Atlanta more dramatically when he departed this earth entirely committing suicide in one thousand nine. Near route had just joined Norman's from. Very briefly affirm known as Norman Faulkner and read and so it should be noted as well. And as a consequence that the famous from of Hanson Rood dates from one thousand nine the training ground for fill up shop C. and even C. was a student in Georgia Tech's first architectural program he was doing work on the side with Neil Reed. New Yorkers also came to Atlanta to build particularly major buildings of greater architectural sophistication such as hotels or skyscrapers in one thousand nine hundred for Lorenzo Weaver arrived to build a larger and improved Kimber house hotel after the first Kimball house was destroyed by fire. And bred for good but was perhaps from New York to build the English America building known as the flat on build in one thousand nine hundred seven. The only stick stamp skyscraper downtown. So Mary Brown and Root of Chicago record nine hundred ninety one to two the equitable building in Atlanta. This was raised in one thousand nine hundred seventy one. These recent girliness constituted what was considered modern architecture for the young architectural students in Barking on studies in the New School in one thousand zero eight. But their teachers and exemplars of architecture were not native Atlantans indeed for the first seventy five years of the city's history architects were transplanted to Atlanta from just in cities and states from the northeast the mid Atlantic or Tennessee in particular and it was a close knit but not professional circle right century and turn of the century Atlanta architects included New Yorker William Parkins the first city the city's first architect New Yorker Lorenzo Weaver who we mentioned before who helped train Boston born W.T. down and down and was the man for whom France. Smith would work when he first came here to head up the program a Virginian Alexander see Bruce who became partners with Parkin's New York born Thomas. Henry Miller again who became partner of Bruce and Knoxville worked. Later in St Louis and New York and came to Atlanta nine hundred seventy nine as a draftsman for Parkins and Bruce pay thought Maruja who like Bruce was from Virginia. I don't really need to read was born and raised in the New South he was born in eighteen eighty five in Jacksonville Alabama moved to Macon Georgia in one thousand zero three came to Atlanta in one thousand zero for where he apprenticed with Willis Danny and as noted briefly for this very. One short year partner of Godfrey Norman. Bruce and Morgan was the dominant farm in the years prior to the establishment of architectural education at Georgia Tech and as we'll see. Thomas Morgan was especially linked to that foundation the firm served as well as the architect of prominent late Victorian tower structures of those first campus buildings in the region tech tower at Georgia Tech Sanford High up on founders had like clams on the administration building at Agnes Scott all of them by Bruce and Morgan and all these architects active in one thousand zero zero eight. William T. down to Deputy Downing at least grew up in Atlanta but was apprenticed for a short time partner with the New Yorker we were. And since we were speak briefly of Francis Palmer Smith and the firm of Pringle and Smith I should mention that both Robert Pringle and Francis Smith served this draftsman for downing again neither was native to the city Pringle was from South Carolina and Smith from Cincinnati. Run. Additional observation about. So you know I want that you know I don't. Sorry. One additional. Servatius about Atlanta in one thousand eight cities in the early twentieth century is that Atlanta was very much a small town when this architectural program started quoting to the one nine hundred ten census there were merely one hundred fifty four thousand eight hundred thirty nine people. That's about the size of Athens GA metro area today. So we were very small town a small college town. It would become alternately and much more but perhaps more telling is that the census report was Chicago at that point having more than two million people and I somehow wonder if these numbers a little wacky from different sources but in any case when students began studying architecture here one hundred years ago. Lana really was a very small town but growing rapidly at the turn of the century. So as suggested by the references to architects who were active in one thousand await and who had been building the structures of the previous few years. That land was also a Victorian town certainly not the and I bet I'm gonna win town of myth its downtown was concentrated at five points. The historic intersection of Peachtree and Marietta and much of what we today think of as part of the down sound commercial coral peach tree center midtown etc When I was in NY to no way entirely residential and back had it was a mere crossroads. Now let me illustrate that significant point about Peachtree center at least the land which would later become John Portman's Peachtree center and ask you to envision this as a residential district in Atlanta in one thousand no wait. The so-called house of a thousand candles sat on the crown of peach tree Baker Street a few yards from the future Regency Hyatt House and the capital city club was still in the section of Peachtree Street in the heart of Peachtree center. It was originally in this high Victorian gothic residence that we see a whole lineup of similar. Victorian buildings here is the capital city club without its cap on it and indeed the first governor's mansion with its man saw Arctic roof and high Victorian character sat on this section of Peachtree Street on the corner of Canyon which is now Andrew Young International Boulevard. That is right on the edge of Peachtree center. These were the great houses of Atlanta at the time architectural study began at Georgia Tech the governor's mansion was not demolished until nine hundred twenty five. Next door to it was the eight hundred fifty eight lead in the house. You know we got a little bit off on this. There's the governor's mansion or the more the steeple there we go there we go. It's going backwards. Yes it is sorry I'm having this wrong let's try this again. There we go. The lead house whose car it was may appear to present an image that we would expect for old Atlanta. There stood until. You stood in one thousand away when the school started here but was torn down just five years later if you move further north. Peachtree Street. You have to find more country a variance on. Victorian houses this was at seven A one peach tree but man displaced by midtown development and still further north stood. Margaret Mitchell's girlhood home a long peach tree this rather image tells us more about the author of gone of the wind than does the so-called Margaret Mitchell house which is still surviving at Peachtree in tenth where she actually wrote the book and nicknamed this old house which was in apartments at the time of the dump. Wrap all of this suggests a character to the whole stretch from Peachtree center all the way up to Rhodes mansion which was highly residential and created a Victorian character for this fine. Residences that focused on our primary streets Georgia Tech architecturally was the same a late Victorian and Edwardian campus whatever those terms might mean. But by nineteen a right for a campus that was only begun twenty years earlier there was very little here we have to envision just a tiny little clear up by tech Tower or the administration tower eight hundred eighty seven was by Bruce and Meghan there were other buildings included in those drama toys from the eighteen ninety's which Georgia Tech saw fit to demolish despite the fact that that's where Jimmy Carter stayed in the dorm when he was a student here text the French textile barely nine hundred ninety nine by green Lockwood green and company surround drama Tory. And the electrical engineering building saw about building a boat from one thousand no water by W.T. Downing. The lime and hot chemistry billion from one thousand six just two years before our program started and brand new the year we began architectural study here was Carnegie Library later to become the Carnegie bill in one thousand zero six to seven by Morgan and Dylan. These were functional brick buildings with a late Victorian industrial statics appropriate for a Georgia school of technology designed by mostly Atlanta architects and bets. Be for the establishment of the architecture program at the school. Now since I focus is on one thousand no wait. It's generally generated by the founding of the architecture program here. Let me summarize that event. Architecture was one of the original eight chairs authorized for Georgia Tech degrees and eight hundred eighty seven when the technical school was founded twenty one years later there was no architecture program. Yet established at the institute a Georgia Tech student name at Ivy had started his college studies in September of one thousand and five in what I ve called The Apprentice class and he later wrote We made contact almost immediately with several fellow students who agreed with him that they would like to study architecture and building construction from time to time. Ivy has documented several of the group contacted the factory members and requested a prepare a Tory course that could lead to a degree in architecture. The students were told the demand for architectural services was inadequate in the areas to warrant such a program which Georgia Tech could not afford to establish so they should study civil engineering. Well these would be architecture students therefore began to look out swear to other architecture schools and I really and two other students requested their Georgia Tech transcripts. So that they could use them to enter the school had some access to training at the Art Institute of Chicago in the fair the dean called a special frankly meeting where it was a group of Georgia Tech would indeed establish an architecture department and hire a head of architecture in the fall of one thousand eight. That would be on the condition that fifteen students would sign up for studying architecture and a total of some twenty decided they wanted to do so and then. So Georgia Tech one hundred years ago in one thousand await agreed to establish a program an architecture. Competent instructors were secured the trustees announced and the department would be conducted along the most modern progressive lines according to announcements every effort will be exist. To make the Course as complete and practical as possible. A man named Prescott Hopkins a Bastin man of ride experience and practical architecture as he was described in the Atlanta Constitution was named in one thousand eight the first head of the architecture program. He directed two small classes freshman and sophomore following a course of instruction intended to give students the necessary training in design and construction and their branches. So that upon graduation the students would be immediately employable. And quite prepared to meet it. Romps the conditions which will confront him unquote as I described the first year. Most of the time was consumed in changing studies and starting new types of drawings etc In addition the architecture students formed an architecture society. Where in this way professional training and architecture got a slow start in Georgia Tech Hopkins emphasized the learning of office methods in architectural practice practical construction in various phases including visits to brick yards and Crowleys and mills and access to plant as architectural offices local architects stood ready to lecture on their work at the school and among the local IT LAN architects to assist in judging design problems at the school the first year were Edward Dowdy who five years later would build one of the best surviving Bose art buildings in Atlanta. The First Church of Christ sinus the colony square and how handsome they were rude who as I mentioned would form their own partnership in one thousand nine and provide employment for early tech architecture students including Philip sharp see. The architectural community was generally supportive of the new program and the Department of Architecture immediately established itself in the shop culture of a school of technology then after one year Prescott Hopkins quit. He resigned and decided he wanted to open a practice in Florida. So the new program was a. Travel Georgia Tech turned immediately to the leading architectural educator of the day. Warren P. Laird of the University of Pennsylvania and asked for a recommendation to replace Hopkins. Recommended his former student Francis Palmer Smith who was at the time in the summer of one thousand and nine on something of a grand tour in Europe visiting and sketching in prominent historic architectural sites. We have in fact his diary from that trip in one thousand nine the in that he went to almost exclusively medieval sites Smith had declined lives earlier offer to come teach at Pan in the program of our social engineering there but he understood perhaps that as director of the architecture program at Georgia Tech he could shape the program's character it was a new program and for me in charge he would be empowered to balance the necessary practicalities of BERLIJN which he earlier described to Larry as what he focused on which was his own direction toward design Smith was a designer he wanted to emphasize design the job at Penn was going to be oriented in a different way but he thought he could shape Georgia Tech as a primarily design school so he accepted Georgia Tech's offer and he came to Atlanta to serve as professor and head of architecture. While this full professor and head of architecture. He was twenty three years old. He immediately turned to establishing the architecture school is a better start program battle though Smith admitted on the course of study of his on the matter. One of the best Beau's art programs among architecture schools in this country the University of Pennsylvania. The entire architecture department faculty during the years of Smith tenure consisted of Smith as Professor of Architecture and a drawing instructor later a few students assistants helped with instruction but the sale of the program was cool. To sensually Francis Smith's would be no exaggeration during the opening years but a curriculum family established the bet was our character of Georgia Tech that would remain relatively little after it for over thirty years. Smith's graduating class in one thousand ravin awarded seven B.S. degrees in architecture to a talented group of young men who were it was already known beyond the campus primarily by its display on in the first annual exhibit of the architectural absolute in Atlanta. That was held in May of one nine hundred ten the exhibit catalog featured drawings from Smith students at Georgia Tech. This is not the catalog this is a review of the architecture program work from the freshman class six from the sophomore class four of those six were by shot C. and twenty round from the junior class including six drawings by Ed all of the who had helped found the architecture school. There were no drawings from the senior class because there was no senior class yet the program was just that young Francis Smith who had arrived in Atlanta less than a year earlier was like Raj becoming a stablished in the arts community. He provided five drawings himself to the exhibition including two sketches from his grand tour in Europe. One of noted all of Paris another one of more Sammy show. He was also had a wonderful bet was our problem design for a maritime museum for which he want to first mention of the University of Pennsylvania and A front of ation drawing of his recently designed hospital for Georgia Tech that is his first building on campus which is in from rebuilding up on the Hill and also drawing from using a part for a large city the architectural absolute Atlanta became an immediate means by which the new head of architecture gained professional exposure and public visibility both for himself and for the new architectures. Rule by exhibiting the Paris prize drawing is judged to be the best in the nation and a series of other competition drawings sponsored by the society of Bose architects in New York the architectural arts league of Atlanta offered models of excellence to students at the recently established design school and stimulated a higher degree of quality in their own. Own work. During the first few of Smith's directorship and recognition credits the competition is one of the most effective means of stimulating the students to attain good results an association of the schools of architecture in the South was founded with the purpose of extending the scope of the competitions beyond the grass of the respective schools studio classrooms and local exhibits during the fat one thousand nine hundred thirteen the first competition attracted seventeen design entries which were submitted to the architectural faculty of the University of Pennsylvania for judging five were from Georgia Tech with three of these five receiving equal first place. And the first project receiving a mansion. First words and mansions conform to the best art competition practices and the success of Smith's students judged by the faculty of his alma mater as he put it was most gratifying in every way. Their success in the one nine hundred thirteen to fourteen Southern intercollegiate architectural competition Sept The standard which Smith continued throughout his association with Georgia Tech after receiving one mention again in one nine hundred fourteen to fifteen Smith's students. Run first and were second prizes almost every academic year of Smith's tenure as head of the department indeed Smith students received first prizes seven of the ten years of his directorship. France or Smith trains some of Atlanta's most prominent names. Classical and traditional architects including Ed I agree and Lewis critic of the firm of crook who built the second phase of Amery. And Preston Stevens of Stevens which became Stevens and worked and one of the longest running farms in the city's history threw up shop see who excelled under Smith graduated in one nine hundred twelve practiced law most entirely in Atlanta and as late as one thousand nine hundred seventy seven Henry hope Reed would cost shop see America's greatest living classical architect. But the education of such a leading classicist should begin at a school of technology in the American South during the first few years of an architecture program's existence headed by a man in his mid twenty's is a remarkable study and a story of a pioneering and successful experiment. You know architectural education on the remarkable leadership Francis Smith which spent thirteen years of his early career as head of the new architecture program at Georgia Tech he was younger than our typical graduate students today when he took charge as Professor in one thousand nine in this newly formed design school he was merely thirty six when he retired as an educator I we continue to advise the school in return often to serve as a critic on design juries where for competitions evaluating student work. Beyond his reach as a teacher of some of the region's most talented designers and future leaders of architecture Smith was establishing the architecture school as a premier design school in the south. Within two years of Smith's departure the barriers out society rated Georgia Tech's architecture program as number around in the South and about fifth in the nation. But never in one thousand nine hundred six the architecture department was admitted into the Association of Collegiate schools. Rocka texture to become the only school in the south in the a C.S.A. and just as Smith was grounded in architectural education in Georgia. He was also a stablish in himself as a practicing architect. And for information about his career as an architect you have to wait for the forthcoming book from the University of Georgia Prescott or architect the architecture of Francis Palmer Smith. But before closing there's one final point and it should also be noted that during Smith's tenure at Georgia Tech progress was also being made in the professional development of architecture in Atlanta with Smith playing a significant and sometimes leading role the Atlanta chapter of the American Institute of Architects had been founded in one thousand nine hundred six three years before Smith's November one thousand and nine arrival in the city and Smith was a reacted to Chapter membership in one thousand nine hundred twelve the same year by the way as Maruti. Architect of Atlanta's famed terminal station and principal in the firm he was not the project architect but the film who built the Fox Theater. It was clear from the first six years of the local chapters history that the scope of the chapter was really state rod and in one nine hundred thirteen with Francis Smith among the Incorporated. The latter chapter was incorporated as the Georgia chapter of the. There were several related reasons for the change in as much as the territory assigned to the chapter embrace the entire state of Georgia and since applicants for membership in the chapter were received from time to time from architects residing in cities in the state other than in Atlanta. The new title recognize the state wide interest. Most significant was the feature in the balance of the National a revised amended which required that no person shall be eligible to membership in the institute in Russia who is a member of a local chapter provided that a chapter exist. In the territory in which he resides. So the incorporation of the Georgia chapter of the American Institute of Architects in September of one nine hundred thirteen included virtually a who's who of Atlanta architects of the period as Incorporated. Helston Brackley of the black replies a plan for you. Ten Eyck Brown the architect of the county courthouse downtown and supervising architect in the one nine hundred twenty S. of the Atlanta schools. Alexander see Bruce and Thomas Bergen and John Robert Dylan who would eventually be in partnership the first two when Bruce and we're going we're partners built tech tower the successor from became Morgan and Dylan Edward droughty who I mentioned was the from who built the Christian Science church. And also home park school just north of campus and the list goes on the grass roots he down in Henrietta Dozier William Edwards Howard hence Frederick Loper P. thought memory new read. Eugene rock and Dr Who But Crawford Long Henry Van Eyck Wendell and Francis Palmer Smith. With a new a new architecture school and an increasing number of trained architects in Atlanta after one thousand alright. It is clear that the architectural scene was changing. Students of Francis Palmer Smith the sensually built the Atlanta of the one nine hundred twenty S. Smith himself built. Hiram's houses institutions churches skyscrapers from Miami to Chattanooga and from North Carolina to Alabama his masterpiece culminated in his career was the Cathedral of St Philip in Atlanta which he built. He designed it over twenty year period but it finally got built when Francis Smith was seventy five. A man his students none surpassed perhaps the consistent designer. It sounds to Philip shops and although Pope Bonnie outside of Atlanta and I think croaker burgeon Stevens inside the city enjoyed notable careers but rather from of course of Stevens and Wilkinson still survives. What we remember in two thousand and eight is that it all began here in nineteen zero eight and so the title is explained because in this case the scholar architect is the scholar looking back at the Centennial from the other and and we can be proud of what Francis Smith began here. THANK YOU THANK YOU THANK YOU. Well enjoy the exhibit out there too. It's great. Yeah yeah it's sort of hard to get access to some of this correspondence as well but the sense. My sense is that. Matheson was the president throughout the time that he was here and they actually both resigned. Within a couple of months of each other. Smith left I think because Matheson left and Matheson left because the state legislature continued to refuse funding of the of the whole institute let alone the new school almost throughout the entire period that Smith was here running the school there were two faculty I mean he was there and the other major factor member. He hired somebody else the second year and then that person died before the year was finished and then he hired another person Doc Gailey who was here forever and had a long continuity from Smith's tenure all the way through bush BROWN But the sense is that it was done a lot on the shoestring in that there were just very few participants relatively small group of students and initially that would grow and it would it just was a frustration and I suspect that his departure was that he's the only president of Georgia Tech that he knew the whole time he was head of architecture was about to resign and he resigned as well. Nineteen twenty two was a remarkable time to start a practice anyway I mean he had been doing a few buildings while he was head of architecture. His buildings on campus including the infirmary build in which I guess is what shape and building now is what they call it and next to the old physics building and also the coon mechanical engineering building. Name for John Curran and that you know this is prominent early work in the history of the campus but his his career just absolutely took off in twenty two. Once he joined with Robert Pringle he met Pringle because Pringle it headed the Chattanooga office down in at the time that Downing was building these huge Coca-Cola mansions for the Coca-Cola bottle in Chattanooga a particular house called. Lyndhurst which was doesn't survive it was one of the locked in houses. And but he Pringle was doing a lot of work in Rome and they alternately then came down to Atlanta and so on the side Smith was doing drafting work for Downey and so they met the two Pringle and Smith met and they formed this practice after he stepped down from Georgia Tech in twenty two. Yeah. Well they typically were all over the you know sort of in odd places in the campus you know that. I'm guessing that they were in part in part of that mechanical engineer an early building or an initially on but the physical location. I hadn't really looked at I'm just assuming that once he built that I mean that. There's a phase of that that was extended in the one nine hundred twenty S. but there was a first phase it was much earlier and I suspect that maybe were there some of the second the top floor of it. I think is where they were yeah. Yeah you've covered just about every building somewhere I think yeah at some point they spent an awful lot of time. Once the physics building was built. They spent a lot of time utilizing the physics building which Francis Smith did not design it's a Robert company building. But it was right after his leaving Georgia Tech as head of architecture so it had some strong sort of influence of Smith and the physics building kind of started that more collegiate Gothika Jacobean quality that took off from that structure on in a lot of the dormitories. Yes OK. Yes OK. The old physics right. You know which is D.M. Smith. You know is that where you know you're not there. Have you moved over to for a. Yeah yeah. So you're back in the building now. All these nomadic departments that are chasing each other all over campus. Well thank you all for coming.