Title:
From Segregated to Integrated: The Evolution of Shading Designs in Marcel Breuer’s Works

dc.contributor.author Yao, Yuan
dc.contributor.corporatename Southeast University en_US
dc.contributor.corporatename Georgia Institute of Technology. College of Design
dc.contributor.corporatename Georgia Institute of Technology. School of Architecture
dc.date.accessioned 2021-02-24T21:11:56Z
dc.date.available 2021-02-24T21:11:56Z
dc.date.issued 2021-02
dc.description ConCave Ph.D. Symposium 2020: Divergence in Architectural Research, March 5-6, 2020, Georgia Institute of Technology, Atlanta, GA. en_US
dc.description.abstract External sunshades, or brise-soleil in French, have played a significant role in the development of 20th century modern architecture history. An early promoter was Hungarian-American architect Marcel Breuer, who believed sun shading was a crucial architectural design motif. The sunshades in Breuer’s early works were elaborately designed and attached to the glass wall façades. After 1960, they were no longer separated devices, but integrated to the new molded concrete façade system. Existing scholarship on Breuer is mainly focused on his furniture and housing designs produced during his early period and his aesthetic interest in the symbolic expression of prefabricated concrete structure. However, the evolution of Breuer’s shading designs demonstrates a shift in his attitude from a segregated mode to an integrated one. The interest of this paper is to review his development of sun shading designs, in order to argue how the concept of integration organizes Breuer’s later façades. First, a study of the UNESCO headquarters secretary building demonstrates how a sun-shading design based on performance analysis fails to properly control the overall thermal environment of building. Then, a number of case studies attempt to unfold Breuer’s integrated design process and various interrelationships between shading design and other architecture elements like structure, texture, mechanical systems, and architectural programs. The integrity in Breuer’s design frees the façade from the modern concept of segregation, which is technically contradicted in nature, and leads to a more effective design process and a more meaningful architectural representation. en_US
dc.identifier.uri http://hdl.handle.net/1853/64316
dc.identifier.uri https://doi.org/10.35090/gatech/62
dc.publisher Georgia Institute of Technology en_US
dc.relation.ispartof http://hdl.handle.net/1853/64350
dc.relation.ispartofseries ConCave Ph.D. Symposium 2020 ; Divergence in Architectural Research
dc.subject Sunshade en_US
dc.subject Segregated en_US
dc.subject Integrated en_US
dc.subject Marcel Breuer en_US
dc.title From Segregated to Integrated: The Evolution of Shading Designs in Marcel Breuer’s Works en_US
dc.title.alternative FROM SEGREGATED TO INTEGRATED: The Evolution of Shading Designs in Marcel Breuer’s Works en_US
dc.type Text
dc.type.genre Proceedings
dspace.entity.type Publication
local.contributor.corporatename College of Design
local.contributor.corporatename School of Architecture
local.relation.ispartofseries School of Architecture Symposia
relation.isOrgUnitOfPublication c997b6a0-7e87-4a6f-b6fc-932d776ba8d0
relation.isOrgUnitOfPublication 0533a423-c95b-41cf-8e27-2faee06278ad
relation.isSeriesOfPublication 51397d92-47f5-4662-8d60-921d15a253a7
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