Title:
Artefact, Participant and Interaction in Auditory Experiences
Artefact, Participant and Interaction in Auditory Experiences
| dc.contributor.author | Seiça, Mariana | |
| dc.contributor.author | Roque, Licínio | |
| dc.contributor.author | Martins, Pedro | |
| dc.contributor.author | Cardoso, F. Amílcar | |
| dc.contributor.corporatename | International Community for Auditory Display | |
| dc.contributor.corporatename | University of Coimbra. Centre for Informatics and Systems | |
| dc.date.accessioned | 2022-09-29T15:45:42Z | |
| dc.date.available | 2022-09-29T15:45:42Z | |
| dc.date.issued | 2022-06 | |
| dc.description | Presented at the 27th International Conference on Auditory Display (ICAD 2022) 24-27 June 2022, Virtual conference. | en_US |
| dc.description | Presented at the 27th International Conference on Auditory Display (ICAD 2022) 24-27 June 2022, Virtual conference. | |
| dc.description.abstract | The act of sound perception and its subjective dimensions, from physical to psychoacoustics, from semantic to affective, carry an inherent challenge for the conception and evaluation of every audio-based artefact. Starting from a previous framework of evaluation approaches, we seek to deconstruct the configuring elements of these processes, searching for theoretical foundations informing Sound Design and possible applications for Auditory Displays. This work is a first step into identifying a body of knowledge on the listener’s experience, how the act of listening takes place and how the sequence of listening actions can evolve as forms of dialogue, creating dialogical spaces for making sense of auditory information. With this work, practitioners can gain new insights into how existing techniques for creating auditory artefacts can be configured and transformed into new, alternative approaches. | en_US |
| dc.identifier.doi | https://doi.org/10.21785/icad2022.026 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1853/67386 | |
| dc.publisher | Georgia Institute of Technology | en_US |
| dc.publisher | Georgia Institute of Technology | |
| dc.publisher.original | International Community for Auditory Display (ICAD) | |
| dc.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| dc.rights | Attribution-NonCommercial 4.0 International | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | * |
| dc.subject | Auditory display | en_US |
| dc.subject | Auditory artefacts | en_US |
| dc.title | Artefact, Participant and Interaction in Auditory Experiences | en_US |
| dc.type | Text | |
| dc.type.genre | Proceedings | |
| dspace.entity.type | Publication | |
| local.contributor.corporatename | Sonification Lab | |
| local.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| relation.isOrgUnitOfPublication | 2727c3e6-abb7-4df0-877f-9f218987b22a | |
| relation.isSeriesOfPublication | 6cb90d00-3311-4767-954d-415c9341a358 |