Title:
Creating spatial depth using distortion product optoacoustic emissions in music composition
Creating spatial depth using distortion product optoacoustic emissions in music composition
| dc.contributor.author | Chechile, Alex | |
| dc.contributor.corporatename | International Community for Auditory Display | |
| dc.contributor.corporatename | Stanford University. Center for Computer Research in Music and Acoustics | |
| dc.date.accessioned | 2015-10-14T15:42:26Z | |
| dc.date.available | 2015-10-14T15:42:26Z | |
| dc.date.issued | 2015-07 | |
| dc.description | Presented at the 21st International Conference on Auditory Display (ICAD2015), July 6-10, 2015, Graz, Styria, Austria. | en_US |
| dc.description | Presented at the 21st International Conference on Auditory Display (ICAD2015), July 6-10, 2015, Graz, Styria, Austria. | |
| dc.description.abstract | Distortion product otoacoustic emissions (also known as combination tones) are sounds generated within the listener’s ears upon physical and physiological interactions between spectral components in a given auditory input. The relationship between sounds generated by loudspeakers and sounds generated in the listener's ears offers fertile ground for the exploration of spatial depth in music. The author’s On the Sensations of Tone is a series of compositions that provoke ear tones to create an additional spatial dimension in each piece. Following a brief overview of the history and mechanisms behind otoacoustic emissions, this paper discusses techniques for composing with the phenomenon as used in On the Sensations of Tone VII (2015). | en_US |
| dc.embargo.terms | null | en_US |
| dc.identifier.citation | Chechile, A. "Creating spatial depth using distortion product optoacoustic emissions in music composition". In K. Vogt, A. Andreopoulou, & V. Goudarzi, eds. Proceedings of the 21st International Conference on Auditory Display (ICAD 2015). July 6-10, 2015, Graz, Styria, Austria. | en_US |
| dc.identifier.isbn | 978-3-902949-01-1 | |
| dc.identifier.uri | http://hdl.handle.net/1853/54100 | |
| dc.publisher | Georgia Institute of Technology | en_US |
| dc.publisher | Georgia Institute of Technology | |
| dc.publisher.original | University of Music and Performing Arts Graz. Institute of Electronic Music and Acoustics | |
| dc.publisher.original | International Community for Auditory Display (ICAD) | |
| dc.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| dc.rights | This work is licensed under Creative Commons Attribution – Non Commercial (unported, v3.0) License. | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.subject | Auditory display | en_US |
| dc.subject | Otoacoustic emmissions | en_US |
| dc.subject | Combination tones | en_US |
| dc.title | Creating spatial depth using distortion product optoacoustic emissions in music composition | en_US |
| dc.type | Text | |
| dc.type.genre | Proceedings | |
| dspace.entity.type | Publication | |
| local.contributor.corporatename | Sonification Lab | |
| local.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| relation.isOrgUnitOfPublication | 2727c3e6-abb7-4df0-877f-9f218987b22a | |
| relation.isSeriesOfPublication | 6cb90d00-3311-4767-954d-415c9341a358 |