Title:
A systemic perspective for sonification aesthetics
A systemic perspective for sonification aesthetics
| dc.contributor.author | Seiça, Mariana | |
| dc.contributor.author | Roque, Licínio | |
| dc.contributor.author | Martins, Pedro | |
| dc.contributor.author | Cardoso, F. Amílcar | |
| dc.contributor.corporatename | International Community for Auditory Display | |
| dc.date.accessioned | 2022-03-21T16:18:42Z | |
| dc.date.available | 2022-03-21T16:18:42Z | |
| dc.date.issued | 2021-06 | |
| dc.description | Presented at the 26th International Conference on Auditory Display (ICAD 2021) 25-28 June 2021, Virtual conference. | |
| dc.description | Presented at the 26th International Conference on Auditory Display (ICAD 2021) 25-28 June 2021, Virtual conference. | |
| dc.description.abstract | For more than twenty-five years, the sonification field has been attempting to establish itself as a primary body of knowledge communicating through sound. Despite multiple efforts to embrace the interdisciplinary nature of the field and the subjective nature of sound, we wonder: is the tendency for dealing with such challenges through an objective, functional communication, with a single interpretation criterion, limiting the epistemic boundaries of action? How can a subjectively perceived medium such as sound be embraced in all its aesthetic dimensions? We propose a conceptual transition through the reframing of a sonification as a living system for creating aesthetic experiences. This will be achieved by drawing notions from phenomenology, embodied perception, human-computer interaction and soundscape theory. A systemic sonification distinguishes itself as an ever-evolving system built on dynamic structures that actively responds to changes in its environment and interactions from surrounding beings. Driven by a series of emerging concepts of non-linearity, networks, nested systems and intertwined relationships, the system's resilience and adaptability grows with each interaction, recentring the human protagonist as the weaver of his/her aesthetic experience through a selftranscendent process that expands the perception field. | |
| dc.identifier.doi | https://doi.org/10.21785/icad2021.033 | |
| dc.identifier.uri | http://hdl.handle.net/1853/66337 | |
| dc.publisher | Georgia Institute of Technology | |
| dc.publisher | Georgia Institute of Technology | |
| dc.publisher.original | International Community on Auditory Display | |
| dc.publisher.original | International Community for Auditory Display (ICAD) | |
| dc.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| dc.rights | Licensed under Creative Commons Attribution Non-Commercial 4.0 International License. | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.subject | Auditory display | |
| dc.title | A systemic perspective for sonification aesthetics | |
| dc.type | Text | |
| dc.type.genre | Proceedings | |
| dspace.entity.type | Publication | |
| local.contributor.corporatename | Sonification Lab | |
| local.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| relation.isOrgUnitOfPublication | 2727c3e6-abb7-4df0-877f-9f218987b22a | |
| relation.isSeriesOfPublication | 6cb90d00-3311-4767-954d-415c9341a358 |
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