Title:
Spatial Audio Quality Evaluation: Comparing Transaural, Ambisonics and Stereo
Spatial Audio Quality Evaluation: Comparing Transaural, Ambisonics and Stereo
| dc.contributor.author | Guastavino, Catherine | |
| dc.contributor.author | Larcher, Veronique | |
| dc.contributor.author | Catusseau, Guillaume | |
| dc.contributor.author | Boussard, Patrick | |
| dc.contributor.corporatename | International Community for Auditory Display | |
| dc.contributor.corporatename | McGill University. Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) | |
| dc.contributor.corporatename | Sennheiser Research | |
| dc.contributor.corporatename | Genesis S.A. | |
| dc.date.accessioned | 2013-12-29T02:15:41Z | |
| dc.date.available | 2013-12-29T02:15:41Z | |
| dc.date.issued | 2007-06 | |
| dc.description | Presented at the 13th International Conference on Auditory Display (ICAD2007) June 26-29, 2007 in Montréal, Canada. | |
| dc.description.abstract | Two experiments were conducted to investigate perceptual differences between three sound recording and reproduction techniques, namely transaural, ambisonics and stereophony, in terms of spatial quality (Exp.1) and localization (Exp. 2) on a variety of sound material. Results indicate a strong contrast between ambisonics and the other two techniques. Specifically, ambisonics provides a good sense of immersion and envelopment but a poor localization and readability of the scene, while stereophony and transaural provide a precise localization and a good readability but lack immersion and envelopment. These results suggest that a trade-off between immersion and precision may be difficult to achieve using these techniques. | en_US |
| dc.embargo.terms | null | en_US |
| dc.identifier.uri | http://hdl.handle.net/1853/50032 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Georgia Institute of Technology | en_US |
| dc.publisher | Georgia Institute of Technology | |
| dc.publisher.original | International Community on Auditory Display | en_US |
| dc.publisher.original | International Community for Auditory Display (ICAD) | |
| dc.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| dc.subject | Auditory display | en_US |
| dc.subject | Multi-channel audio | en_US |
| dc.subject | Perceptual evaluation | en_US |
| dc.title | Spatial Audio Quality Evaluation: Comparing Transaural, Ambisonics and Stereo | en_US |
| dc.type | Text | |
| dc.type.genre | Proceedings | |
| dspace.entity.type | Publication | |
| local.contributor.corporatename | Sonification Lab | |
| local.relation.ispartofseries | International Conference on Auditory Display (ICAD) | |
| relation.isOrgUnitOfPublication | 2727c3e6-abb7-4df0-877f-9f218987b22a | |
| relation.isSeriesOfPublication | 6cb90d00-3311-4767-954d-415c9341a358 |